Raub Roy studied sound art and studio technique with Daniel Warner and Christoph Cox at Hampshire College, Amherst Mass, between 2004 and 2006. D. Warner and C. Cox are co-editors of Audio Culture: Readings in Modern Music (Continuum, 2004), a collection of critical and theoretical writings on contemporary music, which functioned as a textbook in the course "Audio Culture: Theories and Practices in Music Now". Raub is also largely self taught in microsound, field recording and other specialized aspects of his field.
Raub has performed and recorded experimental music in a variety of solos, duos, trios, etc since 2001, upon acquiring an Akai sampler, which was his instrument of choice until 2007, when a shift in focus led him towards prepared and extended acoustic instruments, as well as electro-acoustic methods of sound manipulation and diffusion.
Raub has performed in support of many excellent and respected artists from the noise, improvised music, and electronic music world: Lionel Marchetti, Jerome Noetinger, Fat Worm of Error, Angst Hase Pfeffer Nace, Chris Corsano, Vampire Belt, Paperrad, Cex, Stars as Eyes, Feathers, Bromp-Treb Sound System, Ralph White, Rubber-O-Cement, Nmprign (Bhob Rainey and Greg Kelley), Howard Steltzer, Bill Nace, Thurston Moore, MV&EE, Evolutionary Jass Band, Headboggle, Tony Dryer, Jacob Felix Heule, Dat Politics, and Nautical Almanac.
All Inquiries: email@example.com